Francesca Annis
Year=1984
117703 Vote
runtime=2 hour 17 M
Genres=Adventure

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Dunes of panama panama city beach. D c5 b1ne trunk. Dunes waterfront resort mi. Dunes village resort myrtle beach. Dune city oregon. Dune messiah. Dune buggy. Much like the books of J.R.R. Tolkein and C.S. Lewis, Frank Herbert's series garnered a sizeable and feverishly dedicated audience from the very beginning. When I heard that it was finally about to be made into a film, I ran out and got the first book. It took me about a week to read, and another to digest it all. The richly detailed, heady scenario of strange people, weird flora and fauna and terrestrial similarities to Earth set in a far distant future, completely captured and astounded me.
But not nearly enough as the very idea that someone would be crazy or ballsy enough to dream of turning it into a movie. Take a science fiction/fantasy series, whose first novel alone is large enough to cause blunt-force trauma if you dropped it on someone's head, and cram every nuance of Herbert's epic tome of geopolitical and theological intrigue, betrayal, corruption and redemption into TWO HOURS? Good freakin' LUCK. It would never work.
And for ten years after its initial publication, directors of every stripe from Alejandro Jodorowsky (EL TOPO) to Ridley Scott (ALIEN) as much as they admired and obsessed over the project, all finally admitted defeat. It would require a six hour movie at least to take a MODERATELY satisfactory stab at a project, whose end product could never truly satisfy all of the meticulous fans who were members of the DUNE cult.
But then came expansive producer of the mega-blockbuster, Dino De Laurentiis. And with him, everyone's favorite geek-auteur, David Lynch.
Did they truly succeed in taming the wild Herbert-born beast? Yes and no. Yes, in that not only did they get the blessing of the late author as the laborious, protracted work began on pre-production, but they did manage to get the damn thing off the ground, which others had never managed to do.
And no, in that Lynch still did not capture all of the odd splendor and power of the tale, mostly because he wasn't allowed to, if you know of the famously antagonistic relationship that he and De Laurentiis shared with the studio backing the movie, Universal. Like THE HOBBIT and THE RINGS TRILOGY, it certainly helps a lot more if you have read the source material. Even so, you still feel at times like you need to keep a glossary of terms and a cheat sheet handy, just as insurance against getting lost in all the myriad details.
For those who have no intention of ever going near DUNE, CHILDREN OF DUNE or any of the many sequels, a quick guide for getting "desert-planted."
This is not a Tale of Two Cities, but of four planets:
Planet Caladan, home to the "good guys" of House Atreides: Duke Leto (Jurgen Prochnow) his longtime concubine and companion, the Lady Jessica (the radiant Francesca Annis) his son, Paul (Lynch's alter-ego Kyle MacLachlan) and the Duke's most trusted advisors, Thufir Hawat (Freddie Jones) a "mentat" or trained human computer who can figure out all sorts of complex equations just by intense concentration; Guerney Halleck (a much younger Patrick Stewart) and Duncan Idaho (the late, great and underused Richard Jordan.
Next is Planet Giedi Prime, home to the really, REALLY bad guys in House Harkonnen: Baron Vladimir Harkonnen (a pestilently, OTT Kenneth McMillan) his own mentat, Piter De Vries (Brad Dourif) and his unctuous nephews Beast Rabban (Paul Smith) and Feyd-Rautha Harkonnen (Sting.
Planet Kaitan is the home of the ruling emperor, Shaddam IV (Jose Ferrer) where he resides with his daughter, Princess Irulan (Virginia Madsen. In order to maintain a controlling grip over the two houses constantly at odds with each other, the Emperor keeps a reluctant alliance going with several duplicitous, interested groups, among them the Bene Gesserit, a mysterious and ominous order of psychically powerful nuns, presided over by the imperious Reverend Mother Gaius Helen Mohiam, Sian Phillips.) But the main source of all the drama and turmoil lies on the Planet Arrakis, aka DUNE, the "desert planet." The entire universe practically runs on what Dune offers - the precious mineral known as "spice" or "melange." As you will hear often, he who controls the spice, controls the universe, and that is what everyone, from the Emperor to the warring Houses to the Bene Gesserit, is after. And not surprisingly, Dune holds yet another internationally diverse cast of characters determined to stop them.
And then it gets even more complicated than that, what with a strange prophecy that may or may not be a myth, about a "One True Being" sound familiar? who can unlock the mystery of where spice comes from, and by doing so, bring unity to all the fractured worlds.
So you can see how any director, let alone Lynch, would have their work cut out for them. To his credit, he masterfully achieves with DUNE exactly what any movie is supposed to do - transport the audience to another world for two hours, and DUNE is almost three in its original form. But be warned: Lynch has taken his own liberties with details and story lines, adding his own quirky and unique touches in the places where a lot of Herbert's concepts either couldn't be used, or had to be excised for time constraints.
Part of the reason that DUNE has gotten such a bad rap over the years, is because like the book, the audience actually has to PAY ATTENTION, which is more of a European than an American philosophy for making movies. But if you give it half a chance, and you're not a die-hard Herbert purist, you will find that making an investment in this film is surprisingly more rewarding than you would ever expect.
And yes, that's even with a score by Toto (with assists by Marty Paich, Allyn Ferguson, Brian Eno and Daniel Lanois) which isn't half as bad as you might think - exactly like the film itself.

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